Non-fiction writer Maria Gill ponders the nature of a creative non-fiction story for children and how creative non-fiction stories are categorised. Toroa’s Journey, by Maria Gill and Gavin Mouldey, is released this week by Potton & Burton. Abel Tasman: Mapping…
In the fourth of our features in celebration of Te Wiki o te Reo Māori, award-winning writer Steph Matuku battles clichés, stereotypes, and the voice of the internal critic, as she wonders if her work is ‘Māori enough.’ I’m a…
In the current Anglo-Saxon book market, there is much that is the same. If one book is successful, there’s a flurry to find another one just like it. Sameness can make us all feel safe, but Julia Marshall from Gecko…
Novelist Anna Mackenzie reveals a few truths about teaching, teens and the failings of the school curriculum, and explains why teaching creative writing is so important to her. According to perceived wisdom, achievement at the highest level requires absolute focus…
David Hill explains the pain required to gain in the wild world of book reviewing, and offers his reckons about how we could do it better – and why we should. I had an email a while back, disapproving of…
Gillian Candler argues for more recognition of the importance of New Zealand non-fiction books for children, while at the same time wishing there was another term to describe these bound paper receptacles of creativity, serendipity and juicy, rich morsels. I…
There’s a book for every reader, and a time for every book. Mandy Hager explains why sometimes Great Literature isn’t what we need. In 1992 I went to the public library in hope that I might find some picture books…
Kyle Mewburn tells us why our children’s writers are so special, and opens a discussion about why New Zealand should appoint a Children’s Laureate. If your orbit has intersected with the local children’s literature scene over the last few years,…